SHOWS

JUNE 2022

PHILIP SOLO: SLOPER

2022

PHILIP RELEASES SLOPER, ANOTHER SOLO ALBUM OUT OF THE BLUE: 16 SONGS WRITTEN AND RECORDED OVER THE PAST DECADE THAT PREVIOUSLY NEVER HAD A HOME. This is album is a bunch of songs that i've been sleeping on for several years. they just needed a little something extra before they could be given life. It's a kind of a shaggy raggedy album, a bit frayed around the edges. i'm proud of it. I hope you like it.

FEBRUARY 2021

PHILIP SOLO: OCEANS HIDING IN OCEANS

On February 19, 2021, Philip B. Price (frontman and songwriter for acclaimed chamber-pop band Winterpills) released a new solo album, Oceans Hiding In Oceans. (Price’s 2019 solo album Bone Almanac was described by PopMatters as “another masterclass in songwriting and performance.” and “enveloping and poetic” by Paste Magazine.) Written and recorded at home during the first wave of the pandemic, Oceans Hiding In Oceans is a kaleidoscope of moods, shapes and sounds from Price’s own personal bunker. “I won’t lie, it was a rough time.” Price writes from within the labyrinth of a mind in mid-breakdown, and yet the music veers dizzily from optimistic and meticulously crafted Magnetic Fields-like electro-pop (“This is the Last Time”), to the Dolly Parton-esque (“Loneliness”), to the Lennon-like (“Little Bell”), to swirling angry Slowdive-style shoegaze (“Forever Vines”). He played every instrument. “I don’t think I’ve ever made a more ‘indoorsy’ album, so to speak. It was freeing, in a way, to just live inside my computer inside my little studio inside my little house inside my little head and find my way to whatever musical ocean crashes around inside me, which is of course inside yet another ocean - I guess this is a quantum physics album, without knowing much about quantum physics.”

JUNE 12, 2020

WINTERPILLS SINGLE: GOLDEN WAVES

Flora and I put this one together ourselves (like Echolalia; we’ll be joining Max, Dave and Dennis later this year for something new. That’s a promise.) 

It’s a kind of upbeat number, and we have mixed feelings about releasing an energetic, summery song during these days of such strife, pain and uncertainty the likes of which some of us have never known. The fact remains, however, that what we are all feeling right now is something huge swaths of the population have had to experience all their lives: dread, uncertainty, the denied promise of liberties we take for granted. 

But the song itself, I have to say, is about joy. That is not a well I usually go to for songwriting. I’m fully capable of feeling it, but I don’t usually need to sing about it. The unique joy inside the song, which was written before all this, is about dissolving, losing one’s-self, daresay disappearing. And now in a world where many of us actually feel like we are disappearing, I’m pausing to reflect on what disappearing can mean. 

For some, it may be a relief: letting go of the hyperactive, critical self, the agonizing attachments of the world. For others who have been begging to be seen their whole lives, disappearing is no relief; it’s their greatest fear. This painful paradox is baked into the song. - Philip

Proceeds from the sale of this will go to the ACLU.

NOVEMBER 2019

PHILIP SOLO: BONE ALMANAC

PHILIP B. PRICE’S FIRST SOLO ALBUM SINCE 2004’S ‘COME THROUGH THIS’, ‘BONE ALMANAC’ IS OUT NOW IN ALL FORMATS (VINYL, CD, DIGITAL DOWNLOAD, STREAMING). “Bone Almanac is bold in its vulnerability, urgent in its central plea. It’s an album that, like a fire in winter, will see you through the cold moonless nights, as you scry into its flickering light, eyeing the dance of shadows. It bears a hallmark that one can trace throughout Philip’s work, a gift for expressing a complexity of emotions with distinct melodic prowess. This is an album that operates on a deep level, to be experienced and felt in the heart and in the bones." - Grant-Lee Phillips

2016

WINTERPILLS: LOVE SONGS

Over a decade ago, singer-songwriter Philip Price scrawled the name “Winterpills” on the wall of The Bay State Hotel, a now-dead but fabled Northampton, Massachusetts watering hole and music venue. Initially, it was going to be the name for a dreamt-of electronica project, but, somewhere along the line, it blossomed into a critically acclaimed indie band with a deep catalog of elegant, dark chamber pop.

Now, the quintet gives us its seventh album, a provocative entry in its catalog, Love Songs (Signature Sounds), out March 18th. Recorded and co-produced with Justin Pizzoferrato (Dinosaur Jr., The Pixies, Lou Barlow, Speedy Ortiz), the album showcases an invigorated and raw Winterpills. This new release marks ten years as a band. To commemorate this career milestone, Winterpills will also reissue its self-titled debut on vinyl. Together, these releases bookend a freewheeling psych-folk-rock continuum.

“Without even trying, over time the canvas has just gotten bigger,” says Winterpills’ principle songwriter Philip Price. "Time stretched us.”

The Northampton, Massachusetts quintet are consummate masters of the slow burn; they’ve nurtured a singular aesthetic with lush and sometimes gritty instrumentation, emotive and literate lyrics, sublime vocal harmonies, and cinematically structured songs that stealthily pull you in and then destroy you. Winterpills has prompted favorable comparisons to Elliott Smith, Low, The Go-Betweens, Fairport Convention, Pernice Brothers and Big Star, among others. The five-piece group is singer/songwriter/guitarist Philip Price, singer/keyboardist Flora Reed, guitarist Dennis Crommett, bassist Max Germer, and drummer Dave Hower.

Winterpills formed as friends, musically comforting each other during one particularly miserable winter after a year of breakups and deaths. Price began performing as a solo artist in the vein of Elliott Smith and Leonard Cohen after his power pop band, The Maggies, disbanded after nine years. Initially, Winterpills was an outlet to combine his quieter, heartfelt songwriting with a richer array of synthetic textures. Winterpills took something of a left turn by becoming a full band that conjured the vigor and sophistication of power-pop and folk-rock with subtle electronica flourishes. As time has worn on, Winterpills has peeled away that ambience in favor of a powerful and graceful live band aesthetic.

There’s a circularity to the group’s newly reissued self-titled debut album from 2005, and its latest, Love Songs. Both albums have the feeling of euphoric artistic self-discovery. “We hadn’t recorded together in awhile, and we felt refreshed when we went in the studio this time.” Philip admits. Whereas 2005’s Winterpills is a raw rock album with delicate moments, 2016’s Love Songs is a much bigger sounding rock record played with swaggering musicality.

Love Songs is tightly thematic. "At first the thought of calling it Love Songs was intended as a whimsical nod to the other million albums of the same title," Price says, "but then casting that light on the existing songs made them jump into stark relief: they were all love songs after all, though arriving at that place through strange portals and unused back roads." The tracks are definitely not your standard missives of affection: within the 11-song album, Winterpills explores love of the idea of love, love of unrealized love, love of the dead, love of family secrets, love of the concept of eternal return, love of ideas, and love of celebrity.

Standouts in this prismatic survey include the single “Celia Johnson,” “Freeze Your Light,” and “He Grew A Wall.” The track “Celia Johnson” bursts forth with a scruffy Jeff Mangum-like elegance conjured from the contrast of skyward Byrds-like harmonies laid over propulsive drums and garage rock guitars. The track was inspired by Philip's fascination with the late English actress, Celia Johnson, (best known for the 1945 British romantic drama Brief Encounter). 

Lone celestial harmony vocals open “Freeze Your Light,” reminding longtime fans of the power of Philip’s vocal interplay with co-writer, keyboardist, harmony soulmate, and wife, Flora Reed. The song majestically unfolds from a fragile intimacy as it gathers burly power with lumbering drums and dirty guitars. The chorus has a gospel purposefulness that feels cathartic and spiritual; the embedded and quixotic desire to freeze all our loves in photographs, pixels and 'cardboard boxes with broken handles' saturates the song.

“He Grew A Wall” is about a suicide that shook the local music scene. “I watched that loss confound us all,” Philip reveals of the song’s subject, “I woke up one day with most of the words in my head laid out for me.” The track features some of Philip’s most poetically poignant lyrics against a mournful descending guitar line: “So the wind told a lie/You were deceived by the sky/The sun refused your call/The moon denied it all/You grew a wall”.

The album’s emotional resonance and fresh energy comes from the environment it was created in. Philip produced and engineered three albums in a row for Winterpills in their home project studio; but Love Songs was recorded in a professional studio buzzing with music gear curiosities, setting the stage for intrepid sonic exploration, including a slightly out-of-tune vintage Vose & Sons upright piano used liberally on many of the albums tracks: Love Songs bids farewell with the early Elton John-esque “It Will All Come Back To You.” The song’s arrangement is richly emotive—it sweeps upward from plaintive piano and voice to vigorous full-band accompaniment with stacked vocal harmonies, noise guitar, and trumpet. Co-producer Justin Pizzoferrato forged a telepathic connection with the group where he could intuit their aspirations, while providing fresh perspectives from the many different genres he’s worked in.

It’s been an unexpected journey for Philip, chasing the ghost within that moniker he scribbled on a bar wall twelve years ago. But what stands out to him as the most meaningful part of the journey is the deep ties within the band. “We feel lucky we’re still good friends after all this time. And I’m in awe of what everyone in the band brings to this weird table we built,” he says. His most profound connection, though, is with Flora Reed, his wife, and creative ally. “We totally have all our eggs in one basket, and it’s been great. I highly recommend it. We do save a little money on hotel rooms.” 

2016

WINTERPILLS EPONYMOUS FIRST ALBUM NOW ON VINYL

WINTERPILLS #1 AVAILABLE NOW ON VINYL

Winterpills #1 came out November 8, 2005. 

We're really excited to be re-releasing it on vinyl, with full lyrics and liner notes on a full-color inner sleeve, clear blue vinyl, and a song you never heard included in the download. 

Thanks for listening for a decade.